as an heir towards the widescreen synth-pop idiosyncrasies of Kate Bush and the vocal audacity of Minnie Riperton. She’s taken her most unexpected pivot however on this epic kiss-off from Portrait of My Coronary heartMontreal electronic producer and poet Marie Davidson writes spoken-word accompaniments that Minimize throughout the icy facades of

And “no voilà” desired on Malice’s front—he raps with precision and ability on strains like “Medications killed my teen spirit, welcome to Nirvana,” a layered reference and a personal reflection on misplaced innocence and everyday living. This is magnificence and opulence built on survival and sacrifice. Clipse remind us they didn’t